Young Magic is a Brooklyn, NY, USA based collective, producing beats, boogie, psych and soul.
The Acid a mysterious collaboration between British DJ Adam Freeland, US electronic music maestro STEVE NALEPA(Nalepa) and Australian folk singer turned techno-head Ry x. Self-titled EP, released in July, 2013 – electro-pop with spacey soundscapes, percussions and chill vocals.
THE / DAS is a music project by Fabian Fenk and Anton K. Feist (born 1978), formerly Bodi Bill, which has existed since 2012. your sound, they create as a duo, they call themselves “Techno Tenderness”.
2013, the five title mini album Speak Your Mind Speak at the Berlin label Sinnbus was published.
Track included on Minus Plus Null, by Marow.
Mille Plateaux. 2011.
Stereolab are a UK-based band whose style, mixing 1950s-1960s pop and lounge music with the “motorik” beat of krautrock, was one of the first to which the term “post-rock” was applied. They are noted for the use of vintage keyboard instruments like Moog synthesizers and Vox and Farfisa organs. Stereolab is also notable for founding their own record label, Duophonic Records, with a grant from UK charity The Prince’s Trust. The band is often referred to as “The Groop” by their fans (and in the title of their song “The Groop Play Chord X” on the album Space Age Batchelor Pad Music).
They were founded in 1990 by songwriters Tim Gane (guitar, keyboards), formerly of the bandMcCarthy, and Laetitia Sadier (sometimes credited as Seaya Sadier; vocals, keyboards, trombone, guitar), who is from france and sings in both English and French.
As Saschienne, Sascha Funke has formed a duo extraordinaire with multi-talented instrumentalist, singer and wife Julienne Dessagne, displaying an expressivity previously unknown to anyone following his solo work. Far away from the romantic hokum of crude feelgood songwriting, both not only focus on on the harmony and bliss, but explore the discord, the misunderstandings that great love brings with it.
Saschienne‘s debut release „Unknown“ maintains the perfect balance between intimate idiosyncracies and public formatting, going from quickly sketched chords and whispered consonants to a full-blown thunderstorm in just a matter of a few tracks. It’s a hypnotic road movie worthy of Bonnie & Clyde, gaining momentum as a marathon runner would… the music reaches out further and further, always fascinated of what might be behind the next curve. This point is driven home by this track, the very first of the album, when Julienne sings, „This Unknown… keeps us together, brings us closer“.
Karen Marie Ørsted (born in Odense, Denmark in 1989) better known as MØ, is a Danish singer and songwriter. In Copenhagen, Denmark 2013, she was recognized as P3s Uundgåelige (P3 Unavoidable), a list of rising artists Danish radio station DR P3. “Pilgrim” her first official single has charted in the Tracklisten, the Danish Singles Chart. She is signed to Sony Music. MØ’s first live television appearance was during Danish P3 Guld Awards on 27 March 2013 where she sang her hit “Pilgrim”. MØ, whose name means “maiden” or “virgin” in Danish, has been compared to electro-pop vocalists such as Grimes, Purity Ring, and Twin Shadow.
Dosh grew up in the Twin Cities, Minneapolis, Minnesota. At a young age he also took piano lessons and then discovered FM radio in the early ’80s. Dosh began drumming at age 15. By the time he left home for Simon’s Rock College at age 16, he had decided music would likely be his profession, however, he subsequently got a degree in creative writing.
Bernhard Fleischmann was born in Vienna in 1975. His first bands were Speed Is Essential andSore!. Together with the latter his first record: „My Idea of Fun“.
In the nineties, Vienna became famous for its electronic music scene and Bernhard Fleischmann found its unique place in it. A laptop, sound loops, rhythm patterns. A gig at the legendary picknick@rhiz festival. Indulging melodies, but never sugary, surrounded by tricky rhythm structures. Songs, not just tracks, arranged on an impressing record – “Pop Loops for Breakfast” found the love story between Bernhard Fleischmann and the young label Morr Music in autumn 1998.
The Franco-American duo The Berg Sans Nipple consists of Lori Sean Berg and Shane Aspegren (sometimes joined by other musicians). The former is a suave Frenchman from Paris and the latter is a lanky Scandinavian-looking fellow who actually hails from the dusty plains of Nebraska. Once rumored to have been Siamese twins separated at birth (according to them, their relationship is really much closer to that of Ghost Dog and the ice cream vendor), the reality is only more mundane at first glance: two kids (both best known as drummers) trapped in a tangled mess of cables, keyboards, samplers, horns, bells, machines and drums. The music for the short film Marie-Madeleine, soundtrack-EP (2002) was a first glimpse into one of the more landscape-filled directions that the bsn has taken, combining textured minimalism, emancipated-rock, a distorted view of chanson française (with guest vocals from the contemporary French legend Dominique A.) and electronica.